Solana Hits $205 as Analysts Predict Brett Layer Could Skyrocket 8,000% by 2025
Solana's price surges past $205—but the real action isn't in the blue chips. Meme analysts are buzzing about Layer Brett, a dark horse poised for a potential 8,000% explosion by 2025.
Why Brett's Ticking
Forget fundamentals—this isn't that game. Brett runs on pure narrative momentum, community hype, and the kind of speculative froth that makes traditional investors clutch their pearls. It's layer-2 energy meets meme chaos.
Crypto's High-Risk, High-Reward Playbook
No roadmaps, no revenue—just pure price potential. This is where degenerate meets genius, and where 8,000% gains either mint new millionaires or vaporize portfolios. As one cynical trader put it: 'It's not investing—it's performance art with leverage.'
Timing the Unpredictable
If the prediction holds, Brett isn't just a token—it's a tidal wave. But in crypto, today's moon mission is tomorrow's rug pull. Trade accordingly.
The tangled history of “Ambersons”
The follow-up to Welles’ 1941 feature “Citizen Kane,” which has topped multiple polls as the greatest film ever made, “The Magnificent Ambersons” was edited down by RKO Studios from its original 131-minute cut to a mere 87 minutes, with a newly shot happy ending tacked on against the director’s wishes.
“They destroyed 'Ambersons' and it destroyed me,” Welles said in an interview with the BBC. While the director made extensive notes on his preferred cut, the film’s negatives were destroyed in order to free up space in RKO’s vault, while a rough cut of the film sent to Welles in Brazil was subsequently lost—becoming something of a holy grail for cinephiles.
“My whole third act is lost because of all the hysterical tinkering that went on,” Welles told filmmaker Peter Bogdanovich years later.
Going back to the Welles
This isn’t the first posthumous attempt to reconstruct a Welles classic. In 1998, “Apocalypse Now” editor Walter Murch used a 58-page memo penned by Welles to create a “restored” version of his 1958 film “Touch of Evil.” And in 2018, Netflix funded a restoration of Welles’ long-lost film “The Other Side of the Wind,” the footage for which had languished in a vault for years due to a legal dispute.
Welles’ voice, meanwhile, has been digitally recreated using AI to serve as a narrator for “location-based storytelling app” Storyrabbit.
Backed by Amazon’s Alexa Fund, Showrunner bills itself as the “Netflix of AI.” Its generative storytelling platform enables users to create episodes of animated shows using prompts or photos. Speaking to Decrypt at the time of its launch, Showrunner founder Edward Saatchi argued that the generative content is “a whole new artistic medium.”
Its effort to interpret Welles’ missing footage for “The Magnificent Ambersons” is a stepping stone to creating long-form stories using AI, Saatchi told The Hollywood Reporter.
“Year by year, the technology is getting closer to prompting entire films with AI,” he said. Although today’s AI models “can’t sustain a story beyond one short episode,” he added, Storyteller is a “step toward a scary, strange future of generative storytelling.”
